This is an old one, wrote this while waiting for my next class, that was more than a decade ago:

Love is not red
But jet-black
Like the inside of a moaning cello;
Dark but warm,
Secluded and safe,
Secure but trembling on
Two everlasting notes
Sliding through an endless thrill.

Love is not red but ultramarine,
An ocean of immeasurable strength,
Pacific,
At times blustery,
Deep, mysterious,
And beautiful.

Love is silver-gray
Like the color of the sound
Of a clock's second hand
Chipping its way through eternity

Love is verdant,
A forest,
Lush,
vast, Wild,
Enchanting.

Love is cosmic latte,
the color of all light in the universe,
boundless,
timeless.

Love is not red
But yellow,
Not the coward,
But the bold yellow streak
Of early morning sunlight
That slants through the window
And invades the bed
Where the anatomy of bliss
Sprawls naked.

Did you know that musicians and non-musicians differ in how they listen to music? If you're not a musician, you probably don't realize that there's a distinct difference between how you hear music and how a musician does. Non-musicians often experience a piece of music as a single, unified whole—like looking at a painting and simply seeing the complete image.
Musicians, on the other hand, don’t listen to music that way. They tend to hear each instrument as a separate voice, each with its own movement and character. They recognize how these individual parts interact and weave together, forming intricate patterns that, when viewed from a distance, reveal the bigger picture. It’s like looking at a painting and noticing every brushstroke, every dab of color, and understanding how those details combine to create the full work of art.
I can still remember how I used to listen to music as a non-musician. When I was a child, I listened to music and experienced it as one unified wave of emotion, moving as a whole. But after I learned to play a musical instrument, and gained experience playing in a band, I lost the ability to listen to music the way I used to as a child.
Now, every time I listen to music, I can’t help but hear the bass guitar—or one particular instrument—standing out and “swimming” or “surfing” through the sea of movements created by the other instruments. I can also shift my focus from one instrument to another. Whichever instrument is in focus becomes the one that, in my mind, is surfing or floating on the sea of sound formed by the rest of the band in the background.
Even when there's an instrument playing a solo, I can still choose to push it into the background if I decide to focus on another instrument. This is what I do every time I listen to music.
I wish I could relearn how to listen to music the way I did before I became a musician. I want to experience the kind of emotions that style of listening would bring me now that I’m older.


everyone is lonely,
lonely for attention,
lonely for recognition,
hungry for praise,
wanting to be seen as the better one,
the better off,
wanting to be envied,
everyone's wearing a mask
to hide
the fucked up kid inside
who enjoys dancing to the music
of this meat parade.







(This is another poem I wrote in my head one sleepless night)

suddenly i wake up from a dream,
and realize that i've been talking in my sleep,
the words are scattered on the floor of your heart,
some are splattered on its walls,
but more are still dangling
from the tip of the tongue of my mind,
waiting to be uttered,
like arrows ready and trembling on their drawn bows.

but i know that they'd just fall
heavy on my toes,
like hammers

(I wrote this poem last month, this just came to me late one night)

a smile is plastered on your lips,
but a frown is leaking out of your eyes
like a tired soul
melting
under the heat of this cold night.
are you with me,
or are you somewhere else?
we both know the answer
and it seems that we are tired,
the room is filling up
with empty space,
and we're exchanging empty stares
like two goldfish
looking at each other
from afar
while slowly drowing
in each other's fish bowl

(I wrote this poem as a filler for a student magazine I moderated a long time ago. This poem was inspired by the what-ifs that I and my wife used to talk about.)

There once was a cowboy
who was tired of riding the blind horse of time,
tired of wearing not a cowboy's crumpled hat
but a failed knight's broken helmet and heavy armor, mangled by dents.

One starry night, he was blown by the wily wind of destiny
into the room of a princess—
a princess distressed by her sleeplessness,
a sleeplessness caused by a pea of desire buried deep under her mattress,
a desire to horse around
like a cowgirl chasing fiery sunsets,
sunsets that wet the corners of her soul’s mind’s eye.

And they talked ‘til the birth of dawn,
and on to dusk,
about sunsets and horses that never were part of them
but were in them—
and of how life should be written in free verse,
not bound by the chains of versification and metrical form.

And they wanted to talk some more,
but he had to be on the road before the mad swirl
of the meeting of the then and the now
swept the two of them away
to a time and a place that never was and never will be—
for the cowboy was a cowboy, and the princess was a princess,
and a cowboy has to be on the road,
forever riding the blind horse of time.
And the road was not where a princess should be—
but it could be,
if the princess would just let it be.

But the princess was a princess, and the cowboy was a cowboy,
and the cowboy had to go,
for it was late in the afternoon, and the wind was singing a dirge to the dying sun.

So while the late seagulls foraged the shore, he bid her goodbye.

And on the road, the cowboy rode again that blind horse,
slowly out of her sight,
as the last of the sun bled on her sky—
just moments away before the hand of time
started hanging stars on their firmament,
in memory of the beautiful should-have-beens
that the two of them did not allow to live.


When I was in high school I turned thick books into flip books. When I got bored with the subject (it was Trigonometry) I drew, I doodled, so I was able to create enjoyable animations: a football player kicking the ball; a canon firing a projectile; a running man; a running horse. Those were the things that I animated on the pages of thick books. I did not know that it was called flip book, all I knew was that it made me happy. My flip book animations were quite good but they pale in comparison to what I came upon a while ago. I found the video above while searching for something else on Youtube. What is shown in the video is flip book creation to the highest level. How I wish I have the time to spare so I could try making something like this.


 

K2 Modify 2007 | Use it. But don't abuse it.